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Convert M4A to WMA

Convert Your M4A to WMA documents naturally

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How to convert M4A to WMA

Step 1: Drop your M4A files using the button above or by deposit and leave.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Receive your converted WMA files.


M4A to WMA Conversion FAQ

How do I convert M4A audio to WMA without quality loss?
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Upload the M4A file and our converter chooses the WMA codec / bitrate combination that matches the source. Lossless target (WMA = WAV / FLAC / ALAC) preserves every sample; lossy target (WMA = MP3 / AAC / OGG) defaults to 192 kbps which is transparent for spoken-word audiobooks and most music.
Yes, and it is worth planning around. Both formats are lossy, so the WMA encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the WMA from that instead avoids the double pass entirely. An M4A holds AAC in most cases, or Apple Lossless (ALAC) when it came from a lossless rip. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered.
DRM. A subset of M4A files are encrypted by the store or the software that issued them, and encrypted audio cannot be decoded by any converter. Anything you ripped yourself, recorded, or bought without protection converts normally; a licensed purchase will not. M4A hides two very different things behind one extension — lossy AAC and lossless ALAC — and non-Apple hardware support is inconsistent.
Often not. M4A is decoded by essentially everything, including car head units and elderly players; WMA needs software that knows the codec, which standalone hardware frequently does not have. If the destination is a car stereo or a portable player, that is a strong argument for staying on M4A. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
Default is 192 kbps for lossy WMA; pass-through for lossless WMA. Override to 320 kbps for audiophile or 64-96 kbps for spoken-word audiobooks (transparent for voice, halves the file size).
If M4A is lossy and WMA is lossless (e.g. MP3 → WAV), the WMA file is no better than the M4A — you can't recover information that's already been thrown away. If M4A is lossless and WMA is lossy, expect the WMA codec to recompress; at 192 kbps this is transparent for most content.
Yes — title, artist, album, year, track number, album art, and chapter markers (important for audiobooks) are read from M4A and written into the WMA container where the WMA format supports tags. M4B audiobook structure round-trips into M4B and AAX → M4B output.
Yes — drop a folder of M4A files in and we process them in parallel. Premium has more parallel workers and no per-file size cap, so a 500-file batch finishes in minutes rather than tens of minutes.
By default yes (48 kHz M4A → 48 kHz WMA). If you need to downsample for compatibility (e.g. 96 kHz → 44.1 kHz for CD burning) the advanced sample-rate option does this with high-quality resampling.
Yes — the loudness-normalize option applies ITU-R BS.1770 / EBU R128 normalization to the WMA output, targeting -14 LUFS (streaming standard), -16 LUFS (podcast standard), or -23 LUFS (audiobook standard). Useful when batch-converting tracks with varying mastering levels.
MP3 plays universally. AAC plays on Apple, most Android, Sonos. FLAC plays on Sonos and Android, less well on older iPods. M4B audiobooks play with chapter navigation on iOS Books, Audiobookshelf, and Smart Audiobook Player. The advanced options include device presets.
Yes — uploaded M4A files are processed in isolated workers and deleted within minutes. We never play, store, or share the audio content. Especially important when working with personal audiobook libraries.

M4A

M4A holds AAC audio in an MP4 container and is what iTunes and Apple Music use for downloaded tracks.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.


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