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Adjust WMA Volume

Adjust the Level of WMA audio files

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*Files deleted after 24 hours

0% 100% 200%
100% = original volume, 50% = half volume, 200% = double volume

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How to Change the Volume of WMA

1 Upload the WMA audio files whose level you want to change.
2 Move the volume slider: above 100% makes the file louder, below 100% makes it quieter.
3 Run it; the whole file is raised or lowered by the same amount, so a large boost can make loud passages clip.
4 Download the adjusted WMA file.

Adjust WMA Volume FAQ

Can I adjust a whole batch to the same gain?
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Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.
Concretely, the gain is applied after decoding and the file is re-encoded, which costs one generation — so set the level you want in one pass rather than nudging it repeatedly, and use normalisation instead if what you want is a consistent perceived loudness. You move the volume slider, where 100% leaves the level unchanged, and the change is applied evenly across the whole file.
Yes — WMA tooling outside the Microsoft stack is thin, which is why browser-side work on it is usually more reliable than a desktop app. Relevant if you plan to adjust the level more than once.
Use volume when you know exactly how much louder or quieter you want it. Use normalisation when you want a set of files to end up at the same perceived loudness — that is a measurement problem, not a fixed gain, and applying one when you meant the other is the usual mistake.
MP3, AAC, M4A, OGG, Opus and WMA are the lossy codecs handled directly, and lossless sources (WAV, FLAC, AIFF) can go in the same batch. The codec is probed from the stream, so an incorrectly named file still works.
Yes: free accounts process audio up to 15 MB per file, which at typical bitrates is several hours of material; ffmpeg does the decoding and encoding, exactly as it would on a desktop. That is the most generous cap on the site after video, and audio work rarely runs into it.
Yes. Upload the set and they process in parallel with the same settings, which is the practical way to handle a podcast series or an album rather than repeating the job by hand.
EPUB.to is built around the open eBook format — XHTML in a zip, reflowable by design, and readable on hardware nobody has thought about the layout for. A book is a zip full of markup, images and fonts, so almost every job people bring to an eBook site is really a job on one of those things. Adjust WMA Volume runs on the same upload and the same account as the conversions because that is where it is needed.
The converter on this site moves books between EPUB, MOBI, AZW3, PDF and DOCX, so a title ends up on whatever hardware is actually going to read it. Doing that after Adjust WMA Volume means the conversion is made from the version you settled on, not from the one you were still fixing.
The engines are shared — the same toolchain, the same workers, the same limits. What a EPUB site adds is a view on reflow: which of these operations a reflowable book genuinely supports, and which ones only make sense on the fixed-layout media inside it. It also starts from one fact about the format this site is named after: the book is a zip of XHTML with a manifest, so the text costs almost nothing and every decision that matters is about the embedded images and font subsets.
No account is needed. Uploads and results are kept for about 24 hours, which leaves time to download the result, and are then deleted automatically; nobody reads, lists or indexes them. Several files in one job need a paid plan.

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