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Adjust Audio Volume

Adjust the Level of audio files

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*Files deleted after 24 hours

0% 100% 200%
100% = original volume, 50% = half volume, 200% = double volume

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How to Change the Volume of Audio

1 Upload the audio files whose level you want to change.
2 Set a gain in decibels or as a percentage — positive to boost, negative to bring it down.
3 Run it; headroom is checked first, so a boost that would clip is flagged rather than silently squared off.
4 Download the adjusted Audio file.

Adjust Audio Volume FAQ

Can I adjust a whole batch to the same gain?
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Yes, though be careful what you are asking for: the same gain on files recorded at different levels keeps them at different levels. If you want them to match, normalise instead.
Concretely, the gain is applied after decode and written back in the source format, with clipping checked before the file is written. You set a gain in decibels or as a percentage and it is applied uniformly across the whole file.
Yes — the codec is detected from the stream, so a mislabelled extension does not derail the job. Relevant if you plan to adjust the level more than once.
Use volume when you know exactly how much louder or quieter you want it. Use normalisation when you want a set of files to end up at the same perceived loudness — that is a measurement problem, not a fixed gain, and applying one when you meant the other is the usual mistake.
MP3, WAV, AAC, M4A, FLAC, OGG, Opus, WMA and AIFF. Codecs are detected from the stream rather than the extension, so a mislabelled file still works and a mixed batch is handled per file.
Yes: free accounts process audio up to 15 MB per file whichever codec you brought; ffmpeg handles the decode and encode. In practice that limit only bites on uncompressed WAV; a compressed file of the same length is nowhere near it.
It depends on the source. Lossless input (WAV, FLAC, AIFF) is edited sample-exactly and loses nothing. Lossy input has already discarded detail once, so where the job can be done by copying the encoded stream rather than re-encoding it, that is the path taken.
Yes. The set queues in parallel with identical settings, which is how you process an album or a podcast back catalogue without repeating yourself.
EPUB.to is built around the open eBook format — XHTML in a zip, reflowable by design, and readable on hardware nobody has thought about the layout for. A book is a zip full of markup, images and fonts, so almost every job people bring to an eBook site is really a job on one of those things. Adjust Audio Volume runs on the same upload and the same account as the conversions because that is where it is needed.
The converter on this site moves books between EPUB, MOBI, AZW3, PDF and DOCX, so a title ends up on whatever hardware is actually going to read it. Doing that after Adjust Audio Volume means the conversion is made from the version you settled on, not from the one you were still fixing.
The engines are shared — the same toolchain, the same workers, the same limits. What a EPUB site adds is a view on reflow: which of these operations a reflowable book genuinely supports, and which ones only make sense on the fixed-layout media inside it. It also starts from one fact about the format this site is named after: the book is a zip of XHTML with a manifest, so the text costs almost nothing and every decision that matters is about the embedded images and font subsets.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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