Convert PSD to SVG

Only up to a point, and it is worth setting expectations first. Tracing turns pixel regions into paths, which works well for logos, line art and flat-colour graphics with clear boundaries. A photograph has no such boundaries, so the trace yields either a crude posterised approximation or an SVG with tens of thousands of paths that is larger and slower to render than the original. SVG cannot represent a photograph — tracing one produces either a crude approximation or a file larger than the original raster.

They are flattened, permanently, into one composited image. Blend modes, masks, adjustment layers and editable text are all resolved into final pixels because SVG has no structure to hold them. Keep the PSD as the working master and treat the SVG strictly as an export. PSD keeps every editing decision reversible, which is why it is the master format for design work that will be revised.

It is converted to sRGB, because SVG has no CMYK mode. For screen use that is exactly what you want. For commercial print it is not — the gamut shift changes how saturated colours reproduce on press, so send the printer the original PSD rather than the SVG.

In an SVG, text is real text — selectable, searchable and re-styleable, and it needs the font to be available or embedded to render as intended. Converting away from SVG turns that text into pixels or into document text depending on the target; converting towards SVG only produces real text if the source had a text layer to begin with.

In most conversions, camera EXIF fields such as the camera model and GPS position are not carried into the SVG. There is no setting on this page to keep or remove metadata, so check the result with a metadata viewer if it matters.

Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.

Default behaviour is 1:1 — your SVG output has the same pixel dimensions as the source PSD. Use a separate /resize-image/ step after conversion if you need to downscale or upscale as part of the workflow.

For JPG / WebP, quality 75-85 typically gets the file 60-80% smaller than the source PSD with no visible difference at normal viewing distance. For lossless targets (PNG, TIFF), expect smaller savings — usually 5-30% via better deflate / LZW compression.